Mardaani 3 Movie Review

Rani Mukerji delivers a power-packed, unblemished star turn that should rank among the finest of her 30-year acting career.

Female cop-procedural’s by now staple OTT but a theatre’s special, isn’t it? Check out our review of Mardaani 3 to know how Rani Mukerji shines again

Mardaani 3 review: Rani Mukerji's film struggles with familiarity, echoing themes from Delhi Crime season three. | Bollywood

Mardaani 3 isn't without its flaws, but it still holds as a solid franchise outing anchored by Rani Mukerji who is still fierce in this solid sequel that stays true to its legacy.

MARDAANI 3 is a powerful, intense, and hard-hitting thriller

Quick take: Mardaani 3 takes forward the saga of Shivani Shivaji Roy, played by Rani Mukerji. This time, she’s up against the beggar-mafia.

This is a whopper of a sequel and is bigger and better, as any such franchise should ideally be!

‘Mardaani 3’ does stumble at times, especially in the latter half when it deals with sensitive themes in a less nuanced way. The climax is average at beat. Even so, it remains a fairly engaging watch.

Mardaani 3 is definitely a must-watch. While the film stumbles, Rani strongly holds a simple script on her shoulders.

Intense. Relevant. Captivating… #RaniMukerji returns in top form, delivering a ferocious, no-holds-barred performance… A gripping battle of courage and justice.Final word?

Read our review of Rani Mukerji and Mallika Prasad's Mardaani 3, Reviews, Times Now

If you’re looking for a sharp, fast-paced thriller that cuts out unnecessary songs and romance, Mardaani 3 is definitely worth watching.

Rani Mukerji gets plenty of scope to shine, seething with anger, screaming, radiating fury, and even taking on hand-to-hand combat in a truly boss-lady role, notes Mayur Sanap.

Abhiraj Minawala’s direction is alright but it needed to be far better. His narration of the human drama should’ve evoked claps and tears from the viewers. On the whole, Mardaani 3 is an average fare.

Mardaani 3 may not be the franchise’s sharpest weapon, but it remains a necessary one. It is angry in the right places, flawed in usual ways, and driven by a conviction that refuses to soften for comfort.

Shivani gets to deliver the mandatory speech about how girls and women are perpetual victims, and how there will always be brave ones who come to the rescue, which is fine, but the eagerness to frame Mukherji centre-stage–…