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Rediff reviews

23 reviews of Hindi and Telugu films, average rating 2.3/5.

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2/5Tamanchey · Paloma Sharma

Tamanchey is funny, fast paced and fierce but begins to fizzle out just when you’re starting to like it.

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3.5/5Ekkees Toppon Ki Salaami · Paloma Sharma

A vague reminder of another Anupam Kher classic, Khosla ka Ghosla, Ekkees Toppon ki Salaami may not be fast paced but you never really wonder about how long it will take to end.

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2.5/5Mardaani · Sukanya Verma

What it really is though but a middling action thriller engaging a cat-and-mouse game between a shrewd crime branch officer (who happens to be a woman) and a demented young man running a vast human trafficking business.

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3.5/5Humpty Sharma Ki Dulhania · Raja Sen

This is a lark, a goofy film where you know what’s going to happen but where you enjoy watching it unfold.The strength of Khaitan’s film lies in how it’s not trying too hard, it’s not trying at reinventing the wheel, and instead…

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1/5The Xposé · Nishi Tiwari

The Xpose wastes no time in getting to the point, which is to swiftly move towards finding the killer. Only, the path to solving the mystery of Zaras murder is rife with inconsistencies of epic proportions.

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1.5/5Gang of Ghosts · Sonil Dedhia

Satish Kaushik, normally a sensible director, succumbs to commercial pressure. He uses some really vulgar dialogues in an attempt at humour, adds in a completely annoying item number and some gimmicky VFX.

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3/5Ragini MMS 2 · Bikash Mohapatra

For if Ragini MMS (2011) was about two-and-a-half love-making scenes, its sequel has just one, a forced one at that. But that’s just about it.

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1/5What the Fish · Raja Sen

Raja Sen says What The Fish is an abysmal effort.

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1/5Issaq · Raja Sen

It is a preposterously bad film, a shoddy wannabe that — despite taking scraps from the table of Shakespearewallah Bhardwaj — lacks ambition, soul, clarity. In case you were wondering, that title is pronounced iss-suck.

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2.5/5Bajatey Raho · Paloma Sharma

Bajaaey Raho thankfully skips several stereotypes it could have used and sticks to a more rational script.

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3/5Nasha · Prasanna Zore

Remember your days in school and college. Remember how you fell for the charms of your teacher. Remember how innocently you imagined making love to her. And remember those heartaches. That is Sahils story.

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3/5Rangrezz · Ankur Pathak

The film works despite being saddled with a rather cliched plot.

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3/5Arjun: The Warrior Prince · Preeti Arora

Arjun: The Warrior Prince, it isn’t the first film to be made about the Mahabharata. It won’t be the last, either.

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1.5/5Zindagi Na Milegi Dobara · Raja Sen

The threadbare story is about a bachelor trip in Spain, gorgeously shot by cinematographer Carlos Catalan..Zindagi Na Mile Dobara doesn’t earn our laughs.

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2.5/5Guzaarish · Raja Sen

This is a filmmaker not even bothering with reality, his fantastically lit and exquisitely framed shots working like rich canvasses, a narrative only in place to string along the art on offer.It is, then, heartbreaking to watch…

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2/5Allah Ke Banday · Raja Sen

Kabir desperately wants you to believe that in his script, a complete tribute to 70s Bollywood.

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2/5Ranabaali · Arjun Menon

A physically charged performance from Vijay Deverakonda can't salvage Ranabaali's bland, low energy spectacle. The ambition and scope in its narrative intentions are not met by the lacklustre execution.

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1.5/5Nayyi Navelli · Sukanya Verma

Nayyi Navelli is a chaotic and forgettable cinematic experience, struggling to blend mythological, horror, and social commentary into a cohesive narrative.

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3.5/5Pehla Pyaar Doosri Baar · Divya Nair

Unlike Pyaar Ka Punchnama, which was insensitive to its female cast as well as the audience, Pehla Pyaar Doosri Baar allows its characters a little more room to breathe, express themselves and put forward their points of view.

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2.5/5Udta Teer · Sukanya Verma

Watching Udta Teer's refreshingly cheeky ambition dumb down into a grovelling piece of gutless filmmaking is supremely disappointing.

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2/5Reporting Live · Sukanya Verma

Hurt and humiliation is skin deep in Reporting Live's truth-seeking, which is why its cynical view of a crusader's fate leaves no impact. Shoddy treatment of a serious concern results in a staggeringly bland drama.

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2.5/5Gajab Raat · Sukanya Verma

There's no cinematic style or technical wizardry to be found in Shah's storytelling, and despite Manoj Bajpayee's stellar performance and nuanced portrayal of his character's fluctuating morality, the script weaknesses, clumsy…

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3/5Tu Hai Meri Kiran · Deepa Gahlot

With minimal use of CGI, which today's films lean on far too much, Rawal spins a dark and enjoyable tale of the dangerous obsession of a man who believes he has been dealt an unfair hand in life.

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