Deccan Herald reviews

The trailer of 'Vaazhai' (Banana) hinted at a story of oppression and resilience in the backdrop of an exquisite setting and a touch of emotional drama.

‘Madharaasi’ is only for fans of Sivakarthikeyan and his comedic timing and charm.

Vishal Bhardwaj's O Romeo starring Shahid Kapoor and Triptii Dimri receives mixed reviews. Gangster revenge plot fails due to sluggish pacing and weak script.

Poornachandra Mysore's debut Kannada film delivers a lively comedy of errors with clever cinematic references, strong ensemble performances and an entertaining mix of chaos, humour and emotion.

Both Shahrukh and Kajol have a back-story in Bulgaria, where Khan plays Raj (for god knows how many-th time) and woos his woman.

It really can't get any better than this, can it? The year has just begun and we have one of the finest, most vibrant and fulfilling coming-of-age films in living memory.

Prahaar movie review: Rajkummar Rao delivers a compelling performance as Ujjwal Nikam in this courtroom drama, despite a laboured screenplay that struggles with pacing and narrative focus during the high-stakes Kasab trial…

Sometimes ailing and healing become a unified process. Just as suffering is a precursor to wisdom, so too a film about the curative process can...

This is arguably the best political thriller that Bollywood has so far given us.

For a film about losers "John Day" proves to be a paradoxically profitable movie-viewing experience for the audience.

Film: "Dil Dhadakne Do"; Cast: Anil Kapoor, Shefali Shah, Priyanka Chopra, Farhan Akhtar, Ranveer Singh, Anushka Sharma, Rahul Bose...

There are seven of them. Goddess 1 is CEO and single mom Sandhya Mridul, spitting fire in a boardroom full of half-witted male subordinates.

Gajab Raat review: Neeraj Pandey and Ritesh Shah team up for a crime drama starring Manoj Bajpayee as a quick-witted cop, but weak writing in the second half lets down an otherwise enthusiastic and promising beginning.

Maratha warrior Bajirao Ballal (Ranveer) who is married to Kashibai (Priyanka) falls for Mastani (Deepika) after...

Perhaps, Nathicharami is the first Kannada movie to use silence effectively to convey a solution in the climax. It aptly uses imagery to show freedom from the past, the dead and the illusion towards a new beginning.

The film gives a humbling experience and is easily one of the year's best.

What makes 'Iravin Nizhal' a remarkable experiment is that it doesn’t and at a run-time of 100 minutes, it hits a balance between rare form and content.

Dhanush is fiery as his character transitions from an aspiring young soldier to a vigilante and finally emerges as the leader of his village, who helms a revolt against the British and the local king.

Santhosh Ananddram has no qualms in admitting that he uses the commercial cinema space for conveying social messages. He also shows formula can be fun too.

H Vinoth's film is a bland thriller with only terrific stunt scenes to show for.

The plot of 'Thiruchitrambalam' is built on an archetypical template of a disturbed father-son relationship but director Mithran J Jawahar exudes freshness in his approach.

Darling Krishna sticks to the strengths of the much-loved 2020 romantic drama: eye-catchy locales, soothing music, and a romantic drama that grows on you.

Vijay, like several portrayals of Telugu cinema heroes, plays the protagonist who resurrects a crumbling family.

Resembling his father in mannerisms and swagger, Abhishek can potentially fill in his shoes if he keeps up with good work and works on his fitness and diction.

Why an engineering graduate, who is also a professional wrestler, ends up as a delivery boy forms the crux of the story.

The film's biggest selling point is its organic connection to its prequel. A few flashback scenes bolster that link.

Action-packed thriller let down by misplaced priorities.

'Marco' is everything it claims to be: bloody, violent, and brutal. However, the action and stunts are fresh and enjoyable.

The urge to mix a laughter riot with a middling non-linear storyline compromises the plot severely. The logical inconsistencies and lack of character development add to the woes.

Mammootty is sinister in this enigmatic tale of demons, dominance and death.

The film begins in the heart of Bengaluru, around the J C Road neighbourhood. It narrates the story of mechanic Ramanna (Achyuth Kumar) and his unethical assistant Manja (Black Dragon Manju).

Srii Murali with his jaw-dropping physique is restrained in his performance throughout the film. Rukmini Vasanth, who plays a doctor, is introduced as a strong woman, but her character is reduced to just romantic moments.

Despite Kamal Haasan and Mani Ratnam's names, Thug Life collapses under a clichéd plot and lackluster execution.

Film Critique: Ekka offers few thrills beyond action and dance as Yuva Rajkumar's second outing struggles with a weak script and predictable plot.

Post ‘Kantara’, Kannada movies are desperately trying to imitate the ‘divine magic’ ‘Kantara’ pulled off in the climax. It’s high time filmmakers realise it has to be better than what audiences have already seen, for it to work.

‘45’ movie review: Arjun Janya’s ambitious multistarrer has an intriguing concept but falters with a shaky narrative, underwhelming VFX and uneven performances.

Vismaya Mohanlal makes a strong debut in Malayalam action thriller Thudakkam with intense fight sequences and a compelling message on women's self-defence.

‘Rakkasapuradhol’ fails to deliver on thrills despite its supernatural premise. Weak performances, plot holes, and overbearing music make this horror flick a frustrating watch.

Karavali film review highlights Raj B Shetty's cameo as the only bright spot in a loud and predictable satire about a Kambala chair.

Police and politicians, rowdies, revenge and rivalry, corruption and conflict form the fulcrum of director Suri's done to death Tagaru.

For a filmmaker struggling for form, 'Maanaadu' could put Venkat Prabhu back on track.

'Kotigobba 3' has some elements of a good suspense thriller but it doesn't realise its full potential.

The technically-superior filmmaker, in his most ambitious project yet, has made a compelling, violent, action film, which is a treat for the fans of the genre.

Ratnam makes the first installment of the two-part project his own through his trademark engrossing drama

Lokesh Kanagarajs Master was overlong due to too many action sequences but it still worked well because of a solid story and an even more solid villain in Vijay Sethupathi.

Leo sets up as a delight to Thalapathy fans, and Kanagaraj has deliberately played with the conclusion of the movie that leaves the audience in anticipation of a major collaboration in the future.

The film is replete with unintentionally hilarious action scenes, the most ridiculous being the one shot at a basketball court

Kantara Chapter 1 Movie Review: Rishab Shetty’s prequel dazzles with visuals and action but falters in writing, climax, and rooted politics.

The plot is simple: humans, driven by greed, have ravaged the environment. Society is fragmented, plagued by political and fundamental divisions.

The Greatest of All Time’aka Vijay’s The GOAT is nothing but passable and boring.

Actor Prithviraj and the cinematography team are the soul of this film. The camera work is top-notch - it skilfully captures the desolate deserts of Jordan and Algeria.

Shivarajkumar shines, conveying intensity and fury through his expressive eyes. He excels in action sequences, wielding a machete with unmatched flair.

Sivakarthikeyan brings the seriousness and honour needed for his role. Sai Pallavi delivers an exceptional performance, capturing Indhu's emotional journey.

Cinema Buzz: ‘Su from So’ blends horror comedy with sharp writing and bold commentary on gender and society, making it a must-watch Kannada gem.

Film Review: Lokesh Kanagaraj’s ‘Coolie’ is a Rajinikanth fan spectacle with big stars, high action, and style, but a weak, meandering storyline.

Toxic sees Yash return as gangster Raya in a visually striking but emotionally thin drama.

Film review: KD The Devil dazzles with scale and visuals but falters on story pacing and coherence as Dhruva Sarja starrer struggles with uneven screenplay loud music and forced songs leaving star cast underused in a spectacle…

Movie Analysis: Explore the latest 'Drishyam 3' as it struggles to match its predecessors' charm while signaling an end to the beloved franchise.

Nivin Pauly and Mamitha Baiju deliver a charming romantic comedy, with believable chemistry and a breezy story. Girish AD's clean family entertainer gets a boost from Vishnu Vijay's music and a strong supporting cast.

'Roohi' features young star Janhvi Kapoor as the leading lady

At the core of it, ‘Sita Ramam’ is a classic love story. But there is a lot more to the film than what meets the eye.

It is also a powerful voice of the voiceless who are merely used and thrown only to be treated like trash

The sets and backdrop look a bit loud for a period crime thriller, but Dulquer’s effortless charm makes one root for him, even when the plot teeters on the edge of melodrama.

Aamir Khan’s ‘Sitaare Zameen Par’ blends emotion, humor, and redemption in a powerful tale of second chances and disability inclusion.

Movie Review HIT 3: Nani’s third installment delivers sharp visuals and AI twists but falters with overblown drama and excessive violence.

Ustaad Bhagat Singh movie review: Pawan Kalyan’s latest Telugu film disappoints with predictable storyline, lack of character depth, and repetitive hero-centric formula.

The action-packed climax hits the right notes as the visuals do the talking, which helps Tarak and Ram Charan's film enthral the mass audience

‘Sooryavanshi’ is an ordinary film that's watchable. Perhaps you can’t expect more from a filmmaker who loves the idea of being ordinary and never raises the bar.

4/5

The film revolves around Ranvijay Balbir Singh (Ranbir Kapoor) with daddy-issues.

Suriya-led courtroom drama with Trisha Krishnan turns predictable, relying on star power over script, with mythic justice and clichés in a manufactured Tamil film review reflecting weak screenplay and over reliance on star driven…

Tamil superstar Vijay’s latest film Jana Nayagan faces sharp criticism for its hollow script, lack of depth and over-reliance on hero worship.

Jailer 2 movie review: Rajinikanth returns with trademark style in Nelson's sequel featuring Suraj Venjaramoodu and Vidya Balan, delivering strong action alongside familiar plot flaws.

As long as Sarkaru Vaari Paata centers on Kalavathi, Mahesh, and Kishore, its watchable. The jokes obviously write themselves and the movie moves smoothly without shaking this way and that.

Another thinly veiled propaganda film

The film retains some traditional horror elements while still trying to be comedic. It ends up delivering neither with much grace nor gusto.

Arjun’s portrayal of Pushpa is loud and gaudy. He wears tacky floral shirts, throws sleazy dialogues and walks with one shoulder in the air.

Sonu Sood's directorial debut is predictable and formulaic. While Sood delivers an impressive performance in the film's action sequences and the supporting cast slips into their roles with ease, the rest of the cast is…

Ranveer Singh, Akshaye Khanna and R Madhavan excel in this IC-814–era spy thriller, though its lengthy runtime dulls the climax.

Movie Review: Explore 'Raat Akeli Hai' with its dark, uneven narrative starring Nawazuddin Siddiqui in a gripping police procedural.

'120 Bahadur' reviews bravery, brotherhood in 1962's Indo-China war. A fitting tribute to Major Singh & 120 soldiers, with gripping cinematography, Farhan's role, balanced emotion, and Raashii Khanna's performance.

Ayan Mukerji's *War 2* disappoints with poor writing, miscast roles, and over-the-top action, making it the weakest entry in YRF's Spy Universe.

Param Sundari starring Sidharth Malhotra and Janhvi Kapoor is a predictable rom-com that relies on clichés and lacks substance.

‘The Girlfriend’ is a feminist's answer to all the misogynistic movies out there.

While logic is often flexible in such films, here it feels more forced than forgiven.

Kunal Kemmu's Vibe delivers a frenzied buddy comedy with espionage twists, blending drollery and visual humour. The cast's stellar performances keep the plot afloat despite thin substance.

The film follows the predictable template of a struggling women's rise in the film industry. Even if director Indrajit Lankesh's intentions are noble, his execution falters.