Vishal Menon reviews
15 reviews of Indian films, average rating 2.8/5.
There are reasons why Kaatru Veliyidai is certainly no classic. But..
Read the full reviewThe jokes are too far apart and far too few.
Read the full reviewA terrific exploration of good, evil and everything in between
Read the full reviewThe portions involving the family are genuinely fun and Karthi infuses a likeable energy
Read the full reviewOutdated themes, however, are out of place in a film set in modern environment
Read the full reviewPradeep Ranganathan’s Dude wants to be a self-aware romantic satire about love, ego and liberation, but its loud tone, chaotic twists and overcooked emotions leave you more exhausted than entertained.
Read the full reviewRahul Sadasivan’s Diés Iraé is a chilling psychological drama that transcends horror tropes, delving deep into the human mind’s darkest corners.
Read the full reviewPatriot movie review: Mammootty delivers a charismatic performance in this layered thriller, blending intensity, style, and sharp storytelling for a compelling watch.
Read the full reviewAadu 3 review—once-loved characters lose their charm in a bloated, big-budget sequel that struggles to match the original’s cult appeal.
Read the full reviewAdhik Ravichandran unleashes a barrage of Ajith references in Good Bad Ugly, breaking the fourth wall in a wild, over-the-top fan service spectacle.
Read the full reviewCan anyone really be friends with a man like Mohanlal's Georgekutty?
Read the full reviewRead our in-depth review of ‘Love Insurance Kompany’, Vignesh Shivan’s futuristic Tamil romance that blends Black Mirror-style tech dystopia with influencer culture, starring Pradeep Ranganathan and Krithi Shetty, and find out…
Read the full reviewDC movie review: Arun Matheswaran’s stylish Devdas-inspired Tamil gangster epic with a powerful debut performance by Lokesh Kanagaraj.
Read the full reviewPreity Mukhundhan and Arjun's 'Blast' has a way of making you feel like it has earned your whistles.
Read the full reviewMaybe it’s the very qualities that make Nelson's films so enjoyable in the first place that keep him from finding a seamless transition from his quirky, dark-comedy sensibilities to serious territory.
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